HOME
ABOUT
WHO WE ARE
HOW IT WORKS
SUBMISSION
RULES & TERMS
JUDGMENT PROCESS
AWARDS & PRIZES
ANNUAL LIVE EVENTS
2021 EDITION
2022 EDITION
2023 EDITION
FILMS SUBMITTED
2021
JAN/FEB
MAR/APR
MAY/JUN
JUL/AUG
SEP/OCT
NOV/DEC
RESULTS
2023 Edition
OFFICIAL SELECTIONS 2023
2022 Edition
OFFICIAL SELECTIONS
2021 Edition
OFFICIAL SELECTION
JAN/FEB 2021
MAR/APR 2021
MAY/JUNE 2021
JULY/AUGUST 2021
SEP/OCT 2021
NOV/DEC 2021
NOMINATIONS
JAN / FEB 2021
MAR / APR 2021
MAY / JUNE 2021
JULY / AUGUST 2021
SEP / OCT 2021
NOV / DEC 2021
WINNERS
JAN / FEB 2021
MAR / APR 2021
MAY / JUNE 2021
JULY / AUGUST 2021
SEP / OCT 2021
NOV / DEC 2021
FILM ANALYSIS
FILM REVIEW
CRITICAL ANALYSIS
AESTHETICS ANALYSIS
SPOTLIGHT
SHORT FILMS
GREAT NAMES
ACTORS
MEET OUR TEAM
✕
Critical Analysis
Critical Analysis – “The Irrepressible”(director – Stefan Köhler Pellegrini)
Critical Analysis – “Kogershin”(director – Malik Zenger)
Critical Analysis – “Finding Aicha”(director – Myriam Francois)
Critical Analysis – “The Deportation of a Model Citizen”(director – Jacob Thomas Pilgaard)
Critical Analysis – “Don’t Look Back”(director – Nathan J. Allan)
Film Review – “It’s So Charming”(director – Svend Colding)
Film Review – “An Evening’s Trail”(director – Pranav Kumar Radharkrishnan)
Film Review – “SOLITUDE”(director – Yelizaveta Smith)
Film Review – “Dress”(director – Paulina Lagudi Ulrich)
Film Review – “Nil difficile volenti”(director – Fabio d’Avino)
Film Review – “Fear Actually”(director – Sassy Mohen)
Film Review – “Learning to Cuss”(director – Corey Foxx)
Film Review – “MOM”(director – Austin Foxx)
Film Review – “An Invitation to Tea ”(director – Desiree Abeyta)
Film Review: “Vincent Before Noon” (director – Guillaume Mainguet)
Film Review: The Grey Town (director – Justin Smothers)
Film Review Mary Mary Quite Contrary (dir. TinNgai Chan)
Film Review Siobhan (dir. Bruce Wabbit)
No translations available for this page