The work submitted this time did not choose to use too many cooperative staff to participate, which is also deeply influenced by the high "author characteristics"（作者性） of director Tsai Ming-Liang's later works and his idea of downplaying the complicated technical division of labor. In addition to the soundtrack work of the short film, I took on all the technical work myself, and only invited three Tokyo classmates and friends to participate in the creation of the work as actors. And the structure of this film is also quite special. I call it “featu-mentary”, which means that it not only has the creation and design of feature films, but also contains a considerable part of the characteristics of documentaries. The high degree of freedom of structure also makes my shooting content as close as possible to the core and most honest self-expression, and the shooting technique is thus flexible and free,very often, when I think it is necessary, I have the courage to shoot with a hand-held camera instead of a fixed camera.